In the last quarter of the 20th century St. Mary’s County Maryland still had outhouses, tobacco farms, fishing villages and plantations. One of the last live radio stations in America carried the only available daily news. There were a couple of traffic signals, a couple of dress shops, small community grocery stores and a Navy base that most military personnel considered a hardship posting.

Still, just as the first English settlers had determined 350 years before, there were always some who saw the remote and marshy peninsulas for what it is: a marketable paradise.



Saturday, July 7, 2012

Boom, Boom and Ballast


Everything's going pretty fast since the the Dee of St. Mary's went overboard May 12, 2012.

Jack rigged the mast while it was still on the ground and Dirtworks lifted it with a single crane and stepped the 76-foot mast into the hull in early June.

The rigging was lashed to the mast to keep it from swinging while aloft. There is a lot of it.

The shrouds, which Jackie explains, are are wire cables that support the mast. They are secured to the sides of the vessel via chain plates. The chain plates are metal plates bolted through the sides of the vessel slightly aft of the base of the mast. The shrouds are positioned there to keep the mast from being forced out of the forward end of the boat if the wind is hard astern.

The mainsail jacks give support to the boom. These are 3/4 inch nylon line that work like slings and support the boom in four places.

What Jack calls the topping lift is a cable that runs from the top of the mast to the aft tip of the boom.

The halyard is the line that raises the main sail and also attached to the mast is the jib halyard.

Shipwright Francis Goddard who built the skipjack in 1979 is carving new wedges to secure the base of the mast through the decking to the hull. Half are done.
 
So all was ready, on a pleasant day toward the end of June 2012, for another willing crew from the Paul Hall Center to volunteered for duty. The student volunteers are from the Harry Lundeberg School of Seamanship and are unlicensed seaman training for a career in the merchant marines.

Hundreds of students, upgrading licensed seaman, school employees and members of the Seafarer's International Union have given of time and treasure to see the skipjack restored. She wouldn't be sailing today without the efforts of all of them.

On this day six students lifted the 56-foot boom and placed it back into its cradle, secured the rigging of the boom to the mast and returned three-and-a-half tons of ballast to the hull. Before lunch.

The ballast is in the form of cement blocks and bricks and are counted so the U.S. Coast Guard can have an exact report.  As the ballast was replaced the Dee rode lower in the water showing where cracks between her planking was still not fully sealed. Jack went overboard to caulk them as she gained weight.

The three videos follow:



 




 


Sunday, May 13, 2012

Sinking and Floating and Sinking Again


The captain seems never satisfied.

By dusk the day after the skipjack, the Dee of St. Mary's, returned overboard the bilge pumps ran sporadically keeping her afloat. Apparently that isn't yet right.

By the next morning the plan was to move the bilge pumps higher into the vessel to allow water to collect in the bottom and climb nearly high enough to cover the keel and definitely high enough to cover the stringers.

Stringers are the four-by-fours, two running parallel along each side of the keel. Their purpose is to strengthen the bottom.




http://www.youtube.com/watch?v=592oCwGTsJ0

Saturday, May 12, 2012

Skipjack Floats

The Chesapeake Bay skipjack, the Dee of St. Mary's, returned to the water May 11, 2012.

She has been out of the water since May 12, 2010.

Structural repairs were completed during 2010; deck and hull repairs continued through 2011. By the mild winter and spring of 2012 she was ready to be sanded, caulked, painted, coppered and returned to her home element, water. 









Sunday, April 1, 2012

Just to Catch Everybody Up.



1. There is still a skipjack in my backyard.

This is because a long long time ago I married her owner. Catch the pronouns.


2. He doesn't look exactly like this anymore. But there are times he can still pull it off.

3. A skipjack is a Big Deal in the rarefied air of Chesapeake Bay Preservationists. A Really Big Deal. And a skipjack is astronomically, insanely and cataclysmic-ally expensive. Really expensive.

4. So a foundation was created.





They clearly need help. If you can help, please visit www.thebaylab.org

5. Meanwhile work continues with a goal of hoisting her back overboard (out of my backyard) this spring.
What follows is a re-cast synopsis of the scary work done in 2010 that ultimately assured the Chesapeake Bay Field Lab which owns the vessel that she would be able to return to service.



 Work completed in 2011 is also documented and will begin appearing on this blog at the end of these re-published 2010 videos, photos and stories.

Launching the Skipjack


 November 1979 -- recalled in 2009

“We had about 3,000 head down here that day.”
Jackie Russell’s face lights up still today, remembering that day in 1979. He’ll draw himself from the peace of sleep, from even the fury of interruption and turn immediately back to that most exhilarating of days nearly half his lifetime ago.

“ ‘National Geographic’ was there, but the fella who’d followed it couldn’t be there that day and the pictures got rejected and that was why we never got in ‘National Geographic’ magazine.
“All the politicians were there, big hoop-de-la for Piney Point. And of course after they couldn’t get the boat off everybody went up to Swann’s and got smothered drunk. Except me. I slept on the boat that night.”

A roughly treated, large color photograph of that day is perhaps one of those rejected. I found it at the bottom of one of the drawers of Dee memorabilia in the trailer’s closet-bedroom. I can't find it anymore. It must have been shot during the smothering. Jackie Russell is alone on the stern of his new boat, looking down at her V bottom wedged in the muck of a low tide. Aground. He is centered in the heart of the photo, small aboard his big boat. A cap pulled hard over his head. An arm checkered in a woolen jacket dangling from the rail. He does not see the photographer.

You want to think it is a funny picture, but of course it isn’t. But it isn’t foolish or pitiful either. The most appropriate caption would seem to be, “What is wrong with this picture?”


“It floated off,” Jackie Russell continues. “It was three days later. We got a high tide, a sou’ easter’ and a high tide. It was lightly snowing and the fellow who was married to Anita Evans, I can’t remember his name. Doug. He was at the school and got a wet suit and cut the chains loose and pulled them loose from the fifth wheel and the boat floated off. We got her off December 19th and it was lightly snowing. I think we tried to launch it the 16th and we couldn’t get it off.

The deal was, I think the deal was, the wheels were all in a line.” He sits up in bed, staring into middle space, seeing the scene yet again. “Really why we couldn’t launch that boat, all the wheels were in a line and there was an old boat ramp there at Swann’s and somebody had been digging some manoses out of that boat ramp, that concrete boat ramp. And as those wheels went off the boat ramp one behind another she bogged down right at the end of that ramp. And it might have even been an old piece of concrete at the end of that ramp got caught up.

“And the tug boat the Susan Collins couldn’t pull her off. They had the tug boat up at Lundeberg School and the tug boat couldn’t even pull her off into the river.”

He falls backs and shuts his eyes. "Enough," he says. "Go on to another chapter."

It was more than 25 years ago I had the first of what sometimes feels a lifetime of ridiculous interviews with Jackie Russell. This night, when he tells again of that day, towel abandoned on the floor, dirty clothes resting on top of clean, it doesn't feel particularly different.
Back then I hadn’t any idea what his business was about. I mean his professional business. I did, finally, notice his eyes.

Almost every woman I met those early years, if Jackie Russell dropped into the conversation the next sentence had to do with his eyes. They possessed the cinematic trick that forced a comic book twinkle out of Tony Curtis’ blue eyes in one of the celebrity vehicle movies of the 1960s. The leitmotif gag played for the duration of the movie whenever Tony Curtis’ character’s blue eyes met the camera.


Jackie could do it, can do it, without the cinematic assist, without the gag. “Jackie is genuine,” one of my least demonstrative girlfriends once gushed in a moment of appreciation. I grunted. Somehow I still suspect something of the trick to it. I can see the glint looking as far back as that first interview when he opened his arm wide to introduce his Associates. “My associates,” Jackie Russell welcomed me aboard his skipjack with a majestic sweep of his arm gesturing up the forward deck, just then being swabbed clear of the last of the oyster debris of the day.

A half-dozen men, layered in rag-tag collections of shirts and jackets and rubber boots to their knees, glanced up from their task and acknowledged me with sudden grins, then looked quickly to the captain before returning to their tasks or sauntering off.

“I call them my associates,” Jackie Russell confided to me, walking me aft. “It sounds better that way.”

Jack Russell was an egalitarian captain, well, as egalitarian as a captain can become. A huge snort of laughter bursts from him today as he reads over my shoulder.

“I can’t remember the name of the one who worked with Tynan Poe’s son, who, the two of them, beat up Eddie Poe so bad that time,” Jackie laughs. “He told me they were doing all the work and I was making all the money. He laughed.
He welcomed me aboard the skipjack, that first time, with his wide open arm, such a smooth gesture that it goes unnoticed once his eyes get you.
He draws that inclusive arm back, his left arm, and then brings it forward to grasp your forearm in a near embrace, then suddenly blocking that embrace he swings his right hand around and reaches for yours and grabs that handshake to pull you in closer. He holds you face to face, and he’s just a little bit too close but he stays too close, shaking your hand, close and tight. Without quite knowing how, you’re too close for refusal, too off-balance to step back.
Before you know it, you’re aboard, you’re a pirate too, you’re in his world and pleased with yourself. You’re possibly even lost to yourself.

Removing the Boom



 April, 2010

With the support of a generous grant from the Maryland Heritage Areas Authority, the Dee of St. Mary's skipjack will undergo a tremendous restoration this year. Planning began in late 2009 and continues. This month labor began to prepare this 30-year-old wooden boat for major surgery.

The Dee of St. Mary's is 56 feet long with a 20-foot beam. Her mast is 76 feet tall and her boom 56 feet long. She carries about 2,600 square feet of sail with a hull speed of roughly 10 knots--about 11 m.p.h.

The large amount of sail enables skipjacks to pull large iron dredges--toothed scoops--along the bottom of the Chesapeake Bay even in minimal wind. The few skipjacks still oystering today use hydraulic motors to pull the dredges from the bottom.

The boom of the Dee of St. Mary's weights 750 pounds. This boom, the vessel's second, was made in 1987 in Jack Russell's yard. It is made of laminated pine. The boom is held in place by lines rigged to the mast.

Helping Cap'n Jack Russell in a delicate dance of balancing and weight lifting to remove the boom are:
Antonio Hernandez, Joe Panella, Roman Pauley, Andrew Sarenceno, James Burnett, Jr. and Marcus Fields.



3.5 Tons of Ballast Taken from Skipjack

March 2010
Jack Russell and crew currently training at the Harry Lundeberg School of Seamanship at the Paul Hall Center in Piney Point removed this week 3.5 tons of ballast from the skipjack Dee of St. Mary's.

Skipjacks are commercial sailing vessels used to harvest oysters. The vessels, when working under sail, drag man-sized toothed mesh claws from both their port and starboard beam. They carry a great deal of sail in order to gain the speed and power to pull the dredges along the bottom of the Chesapeake Bay scooping up oysters. The Dee carries more than 25,000 square feet of sail.

Despite carrying such sail capacity, skipjacks are shallow-bottomed for maneuverability so their ballast consists of many small weights nestled in their bottom hull between the ribs.

The Dee's ballast included:

Removed from Wings (beneath aft cabin bunks)
Starboard: 24 bricks; 13 cinderblocks
Port: 55 bricks and 13 cinderblocks

Removed from Stern: 
Stern: 8 bricks, 1 lead and 25 cinderblocks
  
Removed from beneath Aft Cabin:
Port: 96 brick; 44 cinderblock; 1 lead in keel
Centerline keel: 17 bricks, 0 cinderblocks 11 lead
Starboard: 88 bricks; 55 cinderblocks

Observation from C. Caryn Russell, "You'd be surprised how small three-and-a-half tons of brick are."